Maison Ikkoku Episode 1
Sorry To Keep You Waiting! I’m Kyoko Otonashi!
Omatase shimashita! Watashi ga Otonashi Kyoko desu!!
お待たせしました! 私が音無響子です!!
1986-03-26
Maison Ikkoku was one of the first anime I watched in childhood, but I never finished it. A while ago, I posted a brief overview of the series and promised to myself to re-watch it someday. Recently, I stumbled upon some wonderful songs from this anime, and finding Juliette je t’aime AMV added more oil to the fire. I wanted to re-watch this anime, this time till the end, but I hesitated due to the length (96 Episodes). However, I recalled the concept of opportunity cost that my Economics professor was so fond of.
My interest in the new anime continues to dwindle, as I find myself less and less excited about each new season. I can cover several new popular shows that I am somewhat interested in or cover what some consider the best work of Rumiko Takahashi. On the other hand, not many people will be watching the show concurrently with me, but I hope that my coverage will bring back good memories for those who seen it already and reveal some trivia. 🙂
OP1: Kanashimi yo, Konnichiwa “Hello Sadness” by Yuki Saito
Nice pastel art and song in this opening 🙂
One day, Susanoo-no-Mikoto, in a drunken rampage, trampled Amaterasu Omikami’s rice fields, filled all of her irrigation ditches and threw excrement into her palace and her shrines. The Omikami asked her brother to stop but he ignored her and even went so far as to throw the corpse of a skinned horse at her hand-maidens who were weaving at the time. The women were killed by the splintered wood from the looms piercing their bodies.
Amaterasu Omikami was greatly angered and in protest she shut herself in the Heavenly Cave and sealed it shut with a giant rock. As a result, the world was consumed with darkness. Without her, everything began to wither and die. Countless Kami gathered in front of her cave and devised a way to lure her out. They all sat around the cave and set up a mirror across from the entrance. Ame-no-Uzume, the voluptuous goddess of merriment turned over a wash-tub and began a sensual dance, tapping the beat on the tub. She exposed her breasts and lifted her skirts as she danced. All of the gods made a great noise of yelling and cheering and laughing. Amaterasu peeked out to see what the noise was about. She asked the nearest god what was going on and he replied that there was a new goddess. When Amaterasu asked where she was, he pointed to the mirror.
The Omikami had never seen herself before and when she caught her reflection, she stared at the radiance of her own form. She was so surprised she said “omo-shiroi”, which means both “white face”, which the Omikami had, and “fascinating”. When she was out of the way, Tajikara-O shut the rock behind her. Having lured her out of the cave, the gods convinced her to go back into the Celestial Plain and all life began to grow again and become strong in her light. Once back in the Celestial Plain, she made sure that she was ready for her brother’s harsh actions again by having a bow and quiver at her side.
ED1: Ashita Hareru ka (Will Tomorrow Be Brighter?) by Takao Kisugi
I just love the ED: great music and visuals 😀
Maison (めぞん) = house (French)
Ikkoku (一刻) = a) Address at #1 Koku Street b) instant in time c) stubborn or hot-tempered
Names of the characters are quite interesting. This section also serves as a debriefing for the first part of my somewhat cryptic announcement 😉
Kyoko Otonashi – Room 0 – 音無 (not a sound)
Yusaku Godai – Room 5(五) – 五代 (five generations)
Yotsuya – Room 4(四) – 四谷 (four valleys)
Akemi Roppongi – Room 6(六) – 六本木 (six trees)
Ichinose Family – Room 1(一) 一の瀬 (first ford)
Cast:
- Issei Futamata as Yusaku Godai
- Sumi Shimamoto as Kyoko Otonashi
- Chika Sakamoto as Kentaro Ichinose
- Kazuyo Aoki as Hanae Ichinose
- Shigeru Chiba as Yotsuya
- Yuko Mita as Akemi Roppongi
Overall, it was a great episodes – I look forward to the next one 🙂
Further Reading:
- Maison Ikkoku (wiki)
- Maison Ikkoku (ANN)
- Amaterasu
- Amano-Iwato
- Kojiki
- Anime explosion!: the what? why? & wow! of Japanese animation by Patrick Drazen
Takahashi is so good at frustrating romance. Look at InuYasha, 152 chapters and we didn’t even get to see a kiss!
Yes, she pays careful attention to character development. I wonder if there will be a kiss in the final anime installment. If not, I guess she’ll leave it up to your imagination and fanartists 🙂
does bring back good memories, of 15 years ago when i saw this. gahhh…very fun show.
That’s good 🙂 Yes, it is a very fun anime 🙂
thanks kitsune, it’s always fun to come here cos i get reminded of all the fun in the older animes.
i fogot the name, but the dog was funny. this was a really touching anime, godai was really dedicated in his love for kyouko.
wish i had such wacky neighbours =p
btw, if you haven’t watched the “live-action” movie, suggest you skip it. it wasn’t as good, imo.
You are welcome, Mei 🙂 I am glad you enjoy visiting 🙂
Ah yes, Soichiro-san is a nice dog 🙂
haha Those neighbours would be too much for me 😛
Thank you for the warning – I have not watched the movie yet. Also I heard that they’ve made a TV drama version out of it.
Somehow, traditional art always catch my eye first! (: I tend to prefer that over digital. I remembered that my first anime was Pokemon I think. And believe it or not, I really thought that the show was originally in English! Bizarre, but when it was broadcasted here, it was quite well dubbed. I still love Lugia a lottt. <33 I think there were a few others that my cousin watched, but then I can't recall the names, haha. I think I saw Samurai X, a little. Used to think the lead character was a girl!
Yes, I love traditional art too! 🙂
haha That dub must have been really good. Actually, some anime sound better in other languages than Japanese, but it is an exception rather than a rule.
Lugia is a nice Pokemon 🙂
haha Well, Kenshin might look like a girl in some instances 😛 It was a good OVA 🙂
Maison Ikkoku is awesome. I’ve only seen about 24 episodes of the anime, but I’m rather fond of the manga. I definitly think it’s the best series, Takahashi has ever created.
and lol I never realized the connections that scene had with that myth before.
Yes, it is a great anime 🙂
That scene is more easily recognizable to the Japanese audience because most of them are familiar with the myth.
Ah… One of my all time fav. Maison Ikkoku. I particularly loved the character designa and art direction of the beginning part of this anime. Ep14, where Kyoko goes to the wrong restaurant for a date, is my fav. ep. Art direction of that episode was godlike. Man… when you said you’re going to blog “classics” I didn’t think you would actually go back to 80’s. ^^
Indeed, art direction is great, and I like character design too 🙂
Yes, 80s is when many good anime where produced 🙂